Index Foreword lila abu-lughod delivered the Lewis Henry Morgan Lectures on which this book is based at the University of Rochester in October They were the thirty-ninth in a series offered annually by the Department of Anthropology to the public and to students and faculty at the university.
View Blog This is more of something that I'd like to propose or ruminate on because it's an issue that I raised recently after reading some of her work.
In Writing Against Culture, she does, albeit briefly, mention that she feels as if the 'culture' idea is useful for some things. She states, "The most important of culture's advantages, however, is that it removes difference from the realm of the natural and the innate.
Whether conceived as a set of behaviors, customs, traditions, rules, plans, recipes, instructions, or programs, culture is learned and can change" Does this represent her way of conceding to some Geertzian notions of culture?
Although her project is far from an interpretivist one, aren't the ideas of 'feminist' or 'halfie' essentially cultural constructions in and of themselves?
She speaks of the 'self' as a cultural construction, but what one conceives of as being 'feminist' or 'halfie' are contigent upon one's cultural experiences. I feel as if she further supports Geertzian notions in her The Interpretation of Cultures After Television, in which she supports the reapplication of thick description in studying global media.
Despite this, she emphasizes an 'anthropology of the particular,' and the notion of 'discourses' as replacing the culture concept advanced by Geertz. So, what is it? Does she endorse culture in a modified paradigm?
Are 'discourses' just another word for a micro-analysis of culture as opposed to Geertz's macro approach?Abu-Lughod, Lila () `Can there be a Feminist Ethnography?', Women and Performance: A Journal of Feminist Theory 5(1): Google Scholar, Crossref Abu-Lughod, Lila () `Writing Against Culture', in Richard Fox (ed.) Recapturing Anthropology: Working in the Present, pp.
- "Introduction to Women's, Gender, and Sexuality Studies is an approachable, engaged, and relevant resource that will provide a springboard for students and instructors to make WGSS thinking, scholarship, and activism useful, practical, and real. The breadth of coverage in the table of contents is breathtaking!
Lila Abu-Lughod begins her essay with the claim that the arguments made in Writing Culture need to be extended to a more radical conclusion.
Rather than . In one perceptive discussion, for example, Lila Abu-Lughod () suggests that what anthropologists need to do is not to write about culture but, rather, to write against culture.
Dietrich College of Humanities and Social Sciences › Faculty & Staff › Resources & Forms › Reserve A Room Room Reservations. Download Complete list [pdf] English. BPH C Lila Abu-Lughod To Give Margaret Morrison Distinguished Lecture in Women’s History Contesting Energy: Labor, Culture and Politics Uncertainty Perception.
Lila Abu-Lughod’s book is a critical reflection on this mushrooming industry, and its representatives, representations and bureaucracy. The book’s focus is not only Muslim women but also those who want to save them, and thus its boundaries are both local and global, with women standing firmly on a demarcation line that many in both the West and the Muslim world would prefer to remain firmly drawn.